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A symphony of unique voices: the literary testimony of Jewish women writers in post-World War II Yugoslavia / Simfonija jedinstvenih glasova: književno svedočanstvo jevrejskih spisateljica u Jugoslaviji posle Drugog svetskog rata
(Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press), 2018)
The first part of this article endeavours to give an idea about the scope and impact of dealing with Jews and Jewish issues in the literature of the former Yugoslavia, so as to provide a frame of reference for presenting ...
Rachel (Rae) Dalven: an accomplished female Romaniote historian, translator, and playwright / Rejčel (Rej) Dalven: uspešna istoričarka, prevodilac i dramski pisac
(Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press), 2018)
Rachel Dalven was a Romaniote Jew, translator of modern Greek poetry, playwright, and historian of the Jews of Ioannina, Greece. She was an educated and well-travelled independent woman, who brought to English-speaking ...
The column "Para noče de šabat" as a local strategy of memory of the Judeo-Spanish tradition / Rubrika „Para noče de šabat“ kao lokalna strategija sećanja na judeo-špansku tradiciju
(Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press), 2018)
The article elaborates on the attempts of the editors of the Jewish weekly „Jevrejski glas“ (published in Sarajevo in 1928-1941) to support fostering of the Sephardi tradition and Judeo-Spanish language during the period ...
Konzlager Belgrad: roman / Konzlager Belgrad: a novel
(Beograd : Udruženje nezavisnih pisaca Srbije, 2018)
„Konzlager Belgrad“, odnosno „Topovske šupe“ je peta objavljena knjiga književnika Živojin Ivkovića. Doduše ovaj put svoje književno delo autor objavljuje pod drugim imenom, kao Lebrecht Gaspar. Naslov romana odnosi se na ...
Tailoring identities: displacement in the self-portrayals of Jewish women escaping to Albania / Krojenje identiteta: izmeštanje u samoportretima Jevrejki koje su pobegle u Albaniju
(Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press), 2018)
This article aims to analyze the works of Jewish women autobiographers who wrote about the Holocaust in the context of Albanian cultural tradition. My research appears in the framework of the wider Holocaust women’s ...
Pisma Hilde Dajč / Letters of Hilda Dajč
([S. l. : s. n.], 2018)
Jevrejski logor Zemun (Judenlager Semlin) nalazio se na prostoru današnjeg Starog sajmišta, a u godinama pred Drugi svetski rat, taj prostor je bio prostor Beogradskog sajma, mesto na levoj obali reke Save, ponos Beograda. ...
Povrat židovske imovine u Hrvatskoj (od donošenja Zakona o naknadi za imovinu oduzetu za vrijeme jugoslavenske komunističke vladavine do danas) / The Restitution of Jewish Property in Croatia (From the Enactment of the Law on the Restitution of Property Taken under the Yugoslav Communist Rule to the Present)
(Zagreb : Institut društvenih znanosti Ivo Pilar, 2018)
U ovom radu autorica piše o povratu židovske imovine u Hrvatskoj, od devedesetih godina 20. stoljeća do danas. Zbog nedorečenih zakona te sporosti hrvatskog sudstva pitanje povrata židovske imovine još uvijek nije riješeno, ...
Židovske obitelji u Kutini na početku uspostave NDH - prijava imovine / Jewish families in Kutina at the establishment of NDH - reporting property
(Kutina : Muzej Moslavine Kutina, 2018)
Autorica u radu piše o kutinskim židovskim obiteljima koje su od 26. do 30. lipnja 1941. dostavili na Poglavarstvo trgovišta Kutina za Ministarstvo državne riznice, Uredu za podržavljeni imetak, popis svoje imovine. Imovinu ...
Studia Judaica
(Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press), 2018)
This issue of „Studia Judaica“ is in several respects unique and, for this reason alone, exceptional. First, it transcends and thereby expands the journal’s existing profile by addressing issues related to Judaic studies ...
The saving narratives of Daša Drndić / Spasonosni narativ Daše Drndić
(Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press), 2018)
The starting point for this paper is the assumption that by obsessive revisiting the events of World War II, the Croatian writer Daša Drndić attempts to influence indirectly the present. It parallels her narrators’ ...