Ka poetici postmemorije Daše Drndić: figura naratora

Abstract

Jedan od formativnih elemenata poetike postmemorije "Holokaust romana" Daše Drndić jeste narativno višeglasje. U radu se višeglasju pristupa iz perspektive narativnih instanci, naročito kohezivne narativne figure - figure naratora arheologa-arhivatora-kustosa. Interpretativni fokus jeste na ovoj figuri u romanu "Sonnenschein", te njenim narativnim strategijama i afektivno-etičkim učincima u sklopu stvaranja i refleksije traumatskih narativa i njihovog pozicioniranja u kontekst savremenih politika kulture pamćenja.

One of the formative elements of the post-memory poetics of the "Holocaust novel" by Daša Drndić is heteroglossia. In the paper, I have approached the poetics of heteroglossia from the perspective of narrative instances, especially the cohesive narrative figure of the archaeologist-archivist-curator narrator. A privileged interpretative focus is on this narrative figure in the novel "Sonnenschein" and its strategies and affective-ethical effects in the context of the disruption, production, and reflection of traumatic narratives and their positioning in the context of contemporary memory culture.