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Prikaz rezultata 11-17 od 17
The Role of Polyphonic Singing in the Establishment of Interethnic Dialogue: Serbian-Jewish Baruch Brothers Choir from Belgrade
(Tbilisi : International Research Center for Traditional Polyphony of Tbilisi Vano Sarajishvili State Conservatoire, 2018)
This work focuses on the role of polyphonic singing in interethnic communication in the example of the Serbian-Jewish Baruch Brothers Choir from Belgrade. This choir was founded in 1879 as the Serbian-Jewish Singing Society, ...
Parohet kao slika: Šagalov Table des Prières (1908-1909) / Parohet as an image: Chagall's Table des Prières (1908-1909)
(Beograd : Univerzitet u Beogradu Filozofski fakultet, 2010)
Na slici Marka Šagala Le Table des Prières, parohet - zastor koji uobičajeno stoji u sinagogi, pokrivajući orman sa svicima Tore, javlja se kao zaseban umetnički predmet, van svoje ceremonijalne namene. Ova predstava, koja ...
Sefardske štampane ketube na Balkanu: vizuelna dekoracija kao odraz ideja bračne harmonije i privatno-javnog jevrejskog identiteta / Sephardic printed ketubbot on the Balkans: Pictorial decorations as a reflection of the ideas of marital harmony and the duality of private and public in Jewish community's identity
(Beograd : Muzej primenjene umetnosti, 2012)
Jevrejski bračni ugovori - ketube, imaju mnogovekovnu i bogatu tradiciju vizuelnog ukrašavanja i iluminacije. Ketube nastale krajem XIX i početkom XX veka, postaju serijski štampani obrasci, podražavajući ideale savremenih ...
Wandalin Strzalecki's „Song on the destruction of Jerusalem". A homage to Maurycy Gottlieb and Poland / „Pesma o razaranju Jerusalima“ Vandalina Strzaleckog. Omaž Mauriciju Gotlibu i Poljskoj
(Warszawa : Instytut Sztuki Polskiej Akademii Nauk, 2014)
"The destruction of Jerusalem and its Temple has remained a constant cultural, religious, and theoretical preoccupation of Jews and non-Jews. Deeply enshrined in historical memory, the destruction has occasioned a wide ...
Izložba crteža Moše Mevoraha "Oficiri Kraljevine Jugoslavije - Portreti iz nemačkih zarobljeničkih logora 1941" / Exhibition of drawings by Moše Mevorah "Officers of the Kingdom of Yugoslavia - Portraits from German prison camps in 1941"
(Beograd : Jevrejski istorijski muzej, 05-2015)
Moša Mevorah je još kao dečak, kako je sam isticao, crtao predmete i predele iz prirode. Sa petnaest godina počeo je da pohađa slikarsku školu Mihajla Petrovića. Za vreme boravka u Beču posećivao je časove slikanja na ...
Invoking Samuel Hirszenberg’s artistic legacy - encountering "Exile" / Pozivanje na umetničko nasleđe Samuela Hiršenberga - susret sa „Izgnanstvom“
(Leiden : Koninklijke Brill NV, 2015)
Samuel Hirszenberg (1865-1908), the Łódź-born artist, created several signature works of art that would emerge as emblematic of the Jewish historical experience of the twentieth century. "Exile" (1904) is one of these works ...
The return of the wandering Jew(s) in Samuel Hirszenberg's art / Povratak lutajućih Jevreja(a) u umetnosti Samuela Hiršenberga
(Liverpool : Liverpool University Press, 2011)
"Few Jewish artists of the turn of the twentieth century created works that became classics in their lifetime. One who did was Samuel Hirszenberg, the Lodz-born (1865) artist, who trained in Cracow, Munich, and Paris, and ...