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  • Jevrejski almanah [Jewish Almanac] 1971/96
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Leon Koen

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2000
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Authors
Šuica, Nikola
Article (Published version)
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Savez jevrejskih opština Srbije = Federation of Jewish Communities of Serbia
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Abstract
Za srpsko slikarstvo poznog XIX veka, delo Leona Koena (1859-1934) ima samosvojno mesto i izazovan raspon. Međutim, sa svega petnaest sačuvanih radova, likovna ostavština primila je začuđujuću isprepletanost stvaralačkih moći i tragičnih nepogoda. Neodvojivost tog spoja u celini njegove umetnosti ima psihološko i istorijsko poreklo. Izvori i pretpostavke sa slikareve putanje fragmentarno iskazuju silinu osobenog temperamenta i zanesenosti, štedljivo dopuštajući analitičko i teorijsko prodiranje u celovitost njegove pojave.
For the late 19th century Serbian painting, Leon Cohen's work (1859-1934) has a distinctive place and a challenging range. However, with only fifteen works preserved, the fine art heritage has received a surprising intertwining of creative powers and tragic disasters. The inseparability of this compound in the whole of his art has a psychological and historical origin. The sources and assumptions of the painter are tracing fragmentarily express the force of peculiar temperament and enthusiasm, sparingly allowing analytical and theoretical permeation into the wholeness of his appearance.
Keywords:
Leon Koen (1859-1934), slikar
Source:
Jevrejski almanah 1971/96 [Jewish Almanac], 2000, 225-234
Publisher:
  • Beograd : Savez jevrejskih opština Jugoslavije [Federation of Jewish Communitues in Jugoslavia]
Note:
  • Str. 225 autoportret Leona Koena.

ISSN: 0448-9993

[ Google Scholar ]
Handle
https://hdl.handle.net/21.15107/rcub_jdb_670
URI
https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/670
Collections
  • Znameniti Jevreji [Famous Jews]
  • Umetnost [Art]
  • Jevrejski almanah [Jewish Almanac] 1971/96
Topic
Jevrejski časopisi i novine [Jewish Magazines and Newspapers]
TY  - JOUR
AU  - Šuica, Nikola
PY  - 2000
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/670
AB  - Za srpsko slikarstvo poznog XIX veka, delo Leona Koena (1859-1934) ima samosvojno mesto i izazovan raspon. Međutim, sa svega petnaest sačuvanih radova, likovna ostavština primila je začuđujuću isprepletanost stvaralačkih moći i tragičnih nepogoda. Neodvojivost tog spoja u celini njegove umetnosti ima psihološko i istorijsko poreklo. Izvori i pretpostavke sa slikareve putanje fragmentarno iskazuju silinu osobenog temperamenta i zanesenosti, štedljivo dopuštajući analitičko i teorijsko prodiranje u celovitost njegove pojave.
AB  - For the late 19th century Serbian painting, Leon Cohen's work (1859-1934) has a distinctive place and a challenging range. However, with only fifteen works preserved, the fine art heritage has received a surprising intertwining of creative powers and tragic disasters. The inseparability of this compound in the whole of his art has a psychological and historical origin. The sources and assumptions of the painter are tracing fragmentarily express the force of peculiar temperament and enthusiasm, sparingly allowing analytical and theoretical permeation into the wholeness
 of his appearance.
PB  - Beograd : Savez jevrejskih opština Jugoslavije [Federation of Jewish Communitues in Jugoslavia]
T2  - Jevrejski almanah 1971/96 [Jewish Almanac]
T1  - Leon Koen
SP  - 225
EP  - 234
UR  - https://hdl.handle.net/21.15107/rcub_jdb_670
ER  - 
@article{
author = "Šuica, Nikola",
year = "2000",
abstract = "Za srpsko slikarstvo poznog XIX veka, delo Leona Koena (1859-1934) ima samosvojno mesto i izazovan raspon. Međutim, sa svega petnaest sačuvanih radova, likovna ostavština primila je začuđujuću isprepletanost stvaralačkih moći i tragičnih nepogoda. Neodvojivost tog spoja u celini njegove umetnosti ima psihološko i istorijsko poreklo. Izvori i pretpostavke sa slikareve putanje fragmentarno iskazuju silinu osobenog temperamenta i zanesenosti, štedljivo dopuštajući analitičko i teorijsko prodiranje u celovitost njegove pojave., For the late 19th century Serbian painting, Leon Cohen's work (1859-1934) has a distinctive place and a challenging range. However, with only fifteen works preserved, the fine art heritage has received a surprising intertwining of creative powers and tragic disasters. The inseparability of this compound in the whole of his art has a psychological and historical origin. The sources and assumptions of the painter are tracing fragmentarily express the force of peculiar temperament and enthusiasm, sparingly allowing analytical and theoretical permeation into the wholeness
 of his appearance.",
publisher = "Beograd : Savez jevrejskih opština Jugoslavije [Federation of Jewish Communitues in Jugoslavia]",
journal = "Jevrejski almanah 1971/96 [Jewish Almanac]",
title = "Leon Koen",
pages = "225-234",
url = "https://hdl.handle.net/21.15107/rcub_jdb_670"
}
Šuica, N.. (2000). Leon Koen. in Jevrejski almanah 1971/96 [Jewish Almanac]
Beograd : Savez jevrejskih opština Jugoslavije [Federation of Jewish Communitues in Jugoslavia]., 225-234.
https://hdl.handle.net/21.15107/rcub_jdb_670
Šuica N. Leon Koen. in Jevrejski almanah 1971/96 [Jewish Almanac]. 2000;:225-234.
https://hdl.handle.net/21.15107/rcub_jdb_670 .
Šuica, Nikola, "Leon Koen" in Jevrejski almanah 1971/96 [Jewish Almanac] (2000):225-234,
https://hdl.handle.net/21.15107/rcub_jdb_670 .

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