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Prikaz rezultata 131-135 od 135
A positive image of Yiddish and Judeo-Spanish in the Jewish press of the first half of the 20th century: an overview / Pozitivna slika jidiša i judeo-španskog jezika u jevrejskoj štampi prve polovine 20. veka: pregled
(Berlin : Peter Lang Verlag, 2019)
The article presents discourse in the Jewish press on the question of the Yiddish and Judeo-Spanish languages and accordingly, their important roles in Ashkenazi (here precisely of so-called Westjuden) and Sephardi ...
French vs. Judeo-Spanish: an overview of the Alliance Israélite Universelle’s language policy in the Ottoman Empire at the turn of the twentieth century / Francuski protiv judeo-španskog: pregled jezičke politike Alliance Israélite Universelle u Otomanskom carstvu na prelazu iz dvadesetog veka
(Cambridge : Cambridge Scholars Publishing, 2015)
This article aims to reveal how the Alliance influenced the utilization of the Judeo-Spanish language through its educational curriculum. I argue that this organization had an enormous impact on the demise of the language ...
Some linguistic features of the Judeo-Spanish dialect of Monastir / Neke jezičke odlike judeo-španskog dijalekta Monastira
(Skopje : Akademski pečat, 2015)
The paper presents the linguistic features of the Judeo-Spanish dialect of Monastir (Bitola). The features are excerpted from Žamila Kolonomos' collection "Poslovice, izreke i priče sefardskih Jevreja Makedonije" and a ...
Šalom Zagreb / Shalom Zagreb
(Zagreb : Židovska vjerska zajednica Bet Israel : Skaner studio, 2019)
Godine 2006. osnovana je u Hrvatskoj u Zagrebu Židovska zajednica Bet Israel kao vjerska moderno ortodoksna židovska zajednica čiji je cilj očuvanje kontinuiteta naše vjerske tradicije i omogućavanje života u skladu s ...
The return of the wandering Jew(s) in Samuel Hirszenberg's art / Povratak lutajućih Jevreja(a) u umetnosti Samuela Hiršenberga
(Liverpool : Liverpool University Press, 2011)
"Few Jewish artists of the turn of the twentieth century created works that became classics in their lifetime. One who did was Samuel Hirszenberg, the Lodz-born (1865) artist, who trained in Cracow, Munich, and Paris, and ...