Rock’n’roll i Holokaust
Rock’n’roll and Holocaust
Abstract
„Rock’n’roll i Holokaust”, tekst u kome se sve već dogodilo, ali i u kome se sve tek treba dogoditi, budući da živimo u „odsustvu svake prave prisutnosti” (Džejmson 1974: 145), ima želju, ma koliko ona bila neostvariva, da se "oslobod[i] od obaveze započinjanja” (Fuko 2019: 7). On, međutim, ipak mora „započeti” i pokušati da, u nekom jeziku i diskursu, kaže nešto o ideologijama, Holokaustu i rock’n’roll-u: Belsen was a Gas Sex Pistols-a, Puppets Lenarda Koena, No Love Lost Joy Division-a.
“Rock’n’roll and Holocaust” represents, on one hand, a text in which everything has already happened and, on the other, a text in which everything is yet to happen because we, if we are to believe Jameson, live in the absence of any true presence. Moreover, this paper has a Focauldian desire to liberate itself from the obligation of commencing. It, however, has to “commence” and, with some language and discourse, attempt to say something about ideologies, Holocaust and rock-n-roll: Sex Pistols’ Belsen was a Gas, Leonard Cohen’s Puppets, Joy Division's No Love Lost.
Keywords:
Holokaust / Rock’n’roll / Belsen was a Gas / Sex Pistols / Puppets / Leonard Koen / No Love Lost / Joy DivisionSource:
Holokaust, sećanje, kultura. 1, 2022, 59-66Publisher:
- Kragujevac : Filološko-umetnički fakultet
Note:
- Istraživanje sprovedeno u radu finansiralo je Ministarstvo prosvete, nauke i tehnološkog razvoja Republike Srbije (Ugovor o realizaciji i finansiranju naučnoistraživačkog rada NIO u 2022. godini broj 451 -03-68/2022 14/ 200198).
Collections
TY - JOUR AU - Kostić, Jovana D. PY - 2022 UR - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2373 AB - „Rock’n’roll i Holokaust”, tekst u kome se sve već dogodilo, ali i u kome se sve tek treba dogoditi, budući da živimo u „odsustvu svake prave prisutnosti” (Džejmson 1974: 145), ima želju, ma koliko ona bila neostvariva, da se "oslobod[i] od obaveze započinjanja” (Fuko 2019: 7). On, međutim, ipak mora „započeti” i pokušati da, u nekom jeziku i diskursu, kaže nešto o ideologijama, Holokaustu i rock’n’roll-u: Belsen was a Gas Sex Pistols-a, Puppets Lenarda Koena, No Love Lost Joy Division-a. AB - “Rock’n’roll and Holocaust” represents, on one hand, a text in which everything has already happened and, on the other, a text in which everything is yet to happen because we, if we are to believe Jameson, live in the absence of any true presence. Moreover, this paper has a Focauldian desire to liberate itself from the obligation of commencing. It, however, has to “commence” and, with some language and discourse, attempt to say something about ideologies, Holocaust and rock-n-roll: Sex Pistols’ Belsen was a Gas, Leonard Cohen’s Puppets, Joy Division's No Love Lost. PB - Kragujevac : Filološko-umetnički fakultet T2 - Holokaust, sećanje, kultura. 1 T1 - Rock’n’roll i Holokaust T1 - Rock’n’roll and Holocaust SP - 59 EP - 66 UR - https://hdl.handle.net/21.15107/rcub_jdb_2373 ER -
@article{ author = "Kostić, Jovana D.", year = "2022", abstract = "„Rock’n’roll i Holokaust”, tekst u kome se sve već dogodilo, ali i u kome se sve tek treba dogoditi, budući da živimo u „odsustvu svake prave prisutnosti” (Džejmson 1974: 145), ima želju, ma koliko ona bila neostvariva, da se "oslobod[i] od obaveze započinjanja” (Fuko 2019: 7). On, međutim, ipak mora „započeti” i pokušati da, u nekom jeziku i diskursu, kaže nešto o ideologijama, Holokaustu i rock’n’roll-u: Belsen was a Gas Sex Pistols-a, Puppets Lenarda Koena, No Love Lost Joy Division-a., “Rock’n’roll and Holocaust” represents, on one hand, a text in which everything has already happened and, on the other, a text in which everything is yet to happen because we, if we are to believe Jameson, live in the absence of any true presence. Moreover, this paper has a Focauldian desire to liberate itself from the obligation of commencing. It, however, has to “commence” and, with some language and discourse, attempt to say something about ideologies, Holocaust and rock-n-roll: Sex Pistols’ Belsen was a Gas, Leonard Cohen’s Puppets, Joy Division's No Love Lost.", publisher = "Kragujevac : Filološko-umetnički fakultet", journal = "Holokaust, sećanje, kultura. 1", title = "Rock’n’roll i Holokaust, Rock’n’roll and Holocaust", pages = "59-66", url = "https://hdl.handle.net/21.15107/rcub_jdb_2373" }
Kostić, J. D.. (2022). Rock’n’roll i Holokaust. in Holokaust, sećanje, kultura. 1 Kragujevac : Filološko-umetnički fakultet., 59-66. https://hdl.handle.net/21.15107/rcub_jdb_2373
Kostić JD. Rock’n’roll i Holokaust. in Holokaust, sećanje, kultura. 1. 2022;:59-66. https://hdl.handle.net/21.15107/rcub_jdb_2373 .
Kostić, Jovana D., "Rock’n’roll i Holokaust" in Holokaust, sećanje, kultura. 1 (2022):59-66, https://hdl.handle.net/21.15107/rcub_jdb_2373 .