"Ricorda cosa ti hanno fatto ad Auschwitz" Luiđija Nona

Abstract

Kompozitorska delatnost Luiđija Nona (Luigi Nono) usko je povezana sa političkim aktivizmom. Nјegova privrženost komunističkoj ideologiji, pogotovo u pedesetim i šezdesetim godinama prošlog veka, odrazila se i na dela koja je u tom periodu stvarao, te je u njima jasan njegov kritički stav prema totalitarnim ideologijama koje su dovele do Drugog svetskog rata. Dalјe, od sedamdesetih godina, dolazi do jenjavanja političkog aktivizma, u najužem smislu te reči, jer kompozitor pokazuje interesovanje za pitanja opštih socioloških i ekonomskih problema sa kojima se društvo suočavalo. Dakle, pri razmatranju Nonovih dela, podjednako je bitno uzeti u obzir i politička, socijalna i estetička pitanja, koja stoje ’iza’ kompozicije, jer ona utiču na genezu dela i na njegov konačni oblik. Upravo ovo jeste okvir u kome će, u radu, biti razmotrena Nonova kompozitorska delatnost u pedesetim i šezdesetim godinama 20. veka, a kako bismo bolјe razumeli poslednje antifašističko delo, posvećeno žrtvama Aušvica, elektroakustičku kompoziciju "Ricorda cosa ti hanno fatto ad Auschwitz".

Luigi Nono’s compositional work is closely tied to his political activism. His devotion to the communist ideology is especially noticeable in the works that he composed in the fifties and sixties of the last century. In those works, we can also see his critical attitude toward totalitarian ideologies and regimes that led the world to the Second World War. At the beginning of the 1970s, his political activism, in the narrowest sense of that word, was reduced, as the composer showed an interest in the issues of general sociological and economic problems that society was facing at that time. Thus, when considering Nono’s works, it is equally important to discuss the political, social and aesthetic issues that ’lay’ behind the composition - they influence the genesis of the work and its final form. This is exactly the framework in which Nono’s compositional activity in the fifties and the sixties will be considered, in order to better understand the last explicitly anti-fascist work, dedicated to the victims of Auschwitz, the electro-acoustic composition "Ricorda cosa ti hanno fatto ad Auschwitz".