Procesualna duhovnost jevrejske teme u Andrićevoj poetici (istine) kao vid ontologizacije hronotopa grada

Abstract

U radu se nastoji istražiti procesualna duhovnost jevrejstva i jevrejske teme („duga borba njihovih života”) u ontologizaciji Andrićeve romantičarske vizije bosanskih nacionalnih identiteta i (post)modernističke imanencije i hermeneutike Bića i Bivstva. U pripovedačkom i esejističkom diskursu aktualizuje se ciklotvornost estetskog Bića u iluminativnoj matrici sarajevskog hronotopa. Istražuju se ontološke premise starozavetnog, istorijskog, psihološkog, identitetskog, rodnog i marginalnog aspekta karakterizacije likova u poetskoj duhovnosti procesualne forme Andrićevog diskursa - od uticaja ekspresionističke poetike, iluminativne citatnosti biblijske legende u „Pobedniku” (1922) do reminiscentnosti stradije u ontologizaciji istorijske relјefnosti i sarkastične antiutopije („Pismo iz 1920. godine”, „Na jevrejskom groblјu u Sarajevu”, „Deca”, „Bife Titanik”, „Legenda o pobuni”) u eksplicitnoj i implicitnoj Andrićevoj „poetici detalјa” kao obrascu i simptomu izdvojenosti i opštosti u ontologizaciji balkanske istorije i eshatološke vizije.

The paper seeks to explore the procedural spirituality of Jewish themes (“the long struggle of their lives”) in the ontologizing of Andrić's romantic vision of Bosnian national identities and the (post)modernist immanence and hermeneutics of Being. In the narrative and essayistic discourse, the cyclic creation of the aesthetic Being is actualized in the illuminative matrix of the Sarajevo chronotype. The ontological premises of the Old Testament: historical, psychological, those related to identity, gender, and the marginal aspect of characterization in the poetic spirituality of the procedural form of Andrić's discourse are explored - from expressionist lyrics, illuminative citations, Biblical legends in “Pobednik” - “The Winner” (1922) to the reminiscence of suffering in the ontologizing of historical relief and sarcastic anti-utopia (“Na jevrejskom groblju u Sarajevu” - “At the Jewish cemetery in Sarajevo”, “Pismo iz 1920” - “Letter from 1920”, “Ljubav u kasabi” - “Love in the town”, “Bife Titanik” - “Buffet Titanic”) in Andrić's explicit and implicit “poetics of details” as a pattern and symptom of isolation and generality in the ontologizing of Balkan history and the eschatological vision. That is why Sarajevo was an obsessive topic for Andrić. He began and finished his literary work with it - from the origin of the first short story “Put Alije Đerzeleza” - “The Travel of Alija Đerzelez” (1920), “Mustafa Madžar” (1923), “Mara milosnica” - “Marry the Merciful” (1926), “Smrt u Sinanovoj Tekiji” - “Death in Sinan's Tekke” (1932) to the last two, during his life unpublished works, "Omer-paša Latas" (1976) and the collection of short stories "Kuća na osami" - "The Secluded House" (1976), which are connected to Sarajevo via their plot and heroes (Vučković).