Šoa/Holokaust: knјiževnokulturološki odgovor
Shoa/Holocaust - literary-cultural response
Abstract
Cilј rada je da pokuša da sagleda sličnosti i razlike u načinima reprezentacije Holokausta kod Jevreja i pripadnika drugih naroda, u različitim kulturama: na Zapadu, u Izraelu, u Srbiji. Ovom zadatku ćemo pristupiti komparativnom metodom uz korišćenje relevantnih teorija koje se odnose na proučavanje samog događaja, ali i posledica koje i dalјe ostavlјa generacijama dece i unuka onih koji su preživeli. Zaklјučujemo da je potreba da se piše o ovoj temi podjednako prisutna i kod Jevreja i kod drugih naroda i da su različite vrste reprezentacije (dokumentaristička, umetnička, književna, tehnološka) neophodne kako bi se poruka „nikada više” prenela budućim generacijama.
As the Holocaust represents the greatest event in the history of the 20th century, the greatest decay of humanity and civilization, people needed to find appropriate ways to confront that trauma apart from historical and documentary approaches. Various artistic forms emerged in popular culture and literature dealing with the Holocaust: novels, films, comics, music, photography. Representation started immediately as a part of survival and testimony. Those who were in camps and ghettos left behind various representations of everyday life and death in the belly of the mortal hell. Several questions emerged after the end of the war concerning the representation of the Holocaust: should it be represented, who has the right to represent it, what is the right form to write about it, what language to use, is imagination allowed besides factual truths etc. In this paper, we tried to step out of the canonical examples and present some controversial cases in Western literature such as J. Kosinski...'s and move to the second and third generation with D. Grosman and J. Yolen. We also touch upon Serbian representations of the Jewish Holocaust. Andrić's short stories and of the genocidal terror performed upon the Serbs in the Independent State of Croatia predominates in cinematic forms. Both Jewish and non-Jewish authors feel the necessity to talk about the atrocities because they represent the universal heritage which belongs to all of us who want to spread the message of ‘never again'.
Keywords:
Holokaust - trauma / Holokaust - sećanje / Holokaust - reprezentacija / Holokaust - književnost / Holokaust - umetnost / Holocaust - trauma / Holocaust - remembering / Holocaust - representation / Holocaust - literature / Holocaust - artSource:
Srpski jezik, književnost, umetnost: zbornik radova sa XV međunarodnog naučnog skupa održanog na Filološko-umetničkom fakultetu u Kragujevcu (30-31. X 2020). Knj. 2/1, Jevreji. Filološko-umetnički fakultet, 2021, 77-91Publisher:
- Kragujevac : Filološko-umetnički fakultet
Note:
- Izdavanje ovog zbornika podržalo je Ministarstvo prosvete, nauke i tehnološkog razvoja Republike Srbije.
- Ovaj rad je deo doktorske disertacije pod nazivom "Fikcionalizacija Holokausta u romanima Jeržija Kozinskog, Džejn Jolen i D. M. Tomasa" koja je u izradi.
TY - CHAP AU - Karić, Milica M. PY - 2021 UR - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2043 AB - Cilј rada je da pokuša da sagleda sličnosti i razlike u načinima reprezentacije Holokausta kod Jevreja i pripadnika drugih naroda, u različitim kulturama: na Zapadu, u Izraelu, u Srbiji. Ovom zadatku ćemo pristupiti komparativnom metodom uz korišćenje relevantnih teorija koje se odnose na proučavanje samog događaja, ali i posledica koje i dalјe ostavlјa generacijama dece i unuka onih koji su preživeli. Zaklјučujemo da je potreba da se piše o ovoj temi podjednako prisutna i kod Jevreja i kod drugih naroda i da su različite vrste reprezentacije (dokumentaristička, umetnička, književna, tehnološka) neophodne kako bi se poruka „nikada više” prenela budućim generacijama. AB - As the Holocaust represents the greatest event in the history of the 20th century, the greatest decay of humanity and civilization, people needed to find appropriate ways to confront that trauma apart from historical and documentary approaches. Various artistic forms emerged in popular culture and literature dealing with the Holocaust: novels, films, comics, music, photography. Representation started immediately as a part of survival and testimony. Those who were in camps and ghettos left behind various representations of everyday life and death in the belly of the mortal hell. Several questions emerged after the end of the war concerning the representation of the Holocaust: should it be represented, who has the right to represent it, what is the right form to write about it, what language to use, is imagination allowed besides factual truths etc. In this paper, we tried to step out of the canonical examples and present some controversial cases in Western literature such as J. Kosinski's and move to the second and third generation with D. Grosman and J. Yolen. We also touch upon Serbian representations of the Jewish Holocaust. Andrić's short stories and of the genocidal terror performed upon the Serbs in the Independent State of Croatia predominates in cinematic forms. Both Jewish and non-Jewish authors feel the necessity to talk about the atrocities because they represent the universal heritage which belongs to all of us who want to spread the message of ‘never again'. PB - Kragujevac : Filološko-umetnički fakultet T2 - Srpski jezik, književnost, umetnost: zbornik radova sa XV međunarodnog naučnog skupa održanog na Filološko-umetničkom fakultetu u Kragujevcu (30-31. X 2020). Knj. 2/1, Jevreji. Filološko-umetnički fakultet T1 - Šoa/Holokaust: knјiževnokulturološki odgovor T1 - Shoa/Holocaust - literary-cultural response SP - 77 EP - 91 UR - https://hdl.handle.net/21.15107/rcub_jdb_2043 ER -
@inbook{ author = "Karić, Milica M.", year = "2021", abstract = "Cilј rada je da pokuša da sagleda sličnosti i razlike u načinima reprezentacije Holokausta kod Jevreja i pripadnika drugih naroda, u različitim kulturama: na Zapadu, u Izraelu, u Srbiji. Ovom zadatku ćemo pristupiti komparativnom metodom uz korišćenje relevantnih teorija koje se odnose na proučavanje samog događaja, ali i posledica koje i dalјe ostavlјa generacijama dece i unuka onih koji su preživeli. Zaklјučujemo da je potreba da se piše o ovoj temi podjednako prisutna i kod Jevreja i kod drugih naroda i da su različite vrste reprezentacije (dokumentaristička, umetnička, književna, tehnološka) neophodne kako bi se poruka „nikada više” prenela budućim generacijama., As the Holocaust represents the greatest event in the history of the 20th century, the greatest decay of humanity and civilization, people needed to find appropriate ways to confront that trauma apart from historical and documentary approaches. Various artistic forms emerged in popular culture and literature dealing with the Holocaust: novels, films, comics, music, photography. Representation started immediately as a part of survival and testimony. Those who were in camps and ghettos left behind various representations of everyday life and death in the belly of the mortal hell. Several questions emerged after the end of the war concerning the representation of the Holocaust: should it be represented, who has the right to represent it, what is the right form to write about it, what language to use, is imagination allowed besides factual truths etc. In this paper, we tried to step out of the canonical examples and present some controversial cases in Western literature such as J. Kosinski's and move to the second and third generation with D. Grosman and J. Yolen. We also touch upon Serbian representations of the Jewish Holocaust. Andrić's short stories and of the genocidal terror performed upon the Serbs in the Independent State of Croatia predominates in cinematic forms. Both Jewish and non-Jewish authors feel the necessity to talk about the atrocities because they represent the universal heritage which belongs to all of us who want to spread the message of ‘never again'.", publisher = "Kragujevac : Filološko-umetnički fakultet", journal = "Srpski jezik, književnost, umetnost: zbornik radova sa XV međunarodnog naučnog skupa održanog na Filološko-umetničkom fakultetu u Kragujevcu (30-31. X 2020). Knj. 2/1, Jevreji. Filološko-umetnički fakultet", booktitle = "Šoa/Holokaust: knјiževnokulturološki odgovor, Shoa/Holocaust - literary-cultural response", pages = "77-91", url = "https://hdl.handle.net/21.15107/rcub_jdb_2043" }
Karić, M. M.. (2021). Šoa/Holokaust: knјiževnokulturološki odgovor. in Srpski jezik, književnost, umetnost: zbornik radova sa XV međunarodnog naučnog skupa održanog na Filološko-umetničkom fakultetu u Kragujevcu (30-31. X 2020). Knj. 2/1, Jevreji. Filološko-umetnički fakultet Kragujevac : Filološko-umetnički fakultet., 77-91. https://hdl.handle.net/21.15107/rcub_jdb_2043
Karić MM. Šoa/Holokaust: knјiževnokulturološki odgovor. in Srpski jezik, književnost, umetnost: zbornik radova sa XV međunarodnog naučnog skupa održanog na Filološko-umetničkom fakultetu u Kragujevcu (30-31. X 2020). Knj. 2/1, Jevreji. Filološko-umetnički fakultet. 2021;:77-91. https://hdl.handle.net/21.15107/rcub_jdb_2043 .
Karić, Milica M., "Šoa/Holokaust: knјiževnokulturološki odgovor" in Srpski jezik, književnost, umetnost: zbornik radova sa XV međunarodnog naučnog skupa održanog na Filološko-umetničkom fakultetu u Kragujevcu (30-31. X 2020). Knj. 2/1, Jevreji. Filološko-umetnički fakultet (2021):77-91, https://hdl.handle.net/21.15107/rcub_jdb_2043 .
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