Wandalin Strzalecki's „Song on the destruction of Jerusalem". A homage to Maurycy Gottlieb and Poland
„Pesma o razaranju Jerusalima“ Vandalina Strzaleckog. Omaž Mauriciju Gotlibu i Poljskoj
Abstract
"The destruction of Jerusalem and its Temple has remained a constant cultural, religious, and theoretical preoccupation of Jews and non-Jews. Deeply enshrined in historical memory, the destruction has occasioned a wide range of interpretations, associations, and metaphoric analogies. As such, it has, of course, also captured the imagination and interpretation of a wide range of artists - from Rembrandt and Nicolas Poussin in the seventeenth century, to Eduard Bendemann (1811-1889), the German artist of Jewish origin and Wilhelm von Kaulbach in the nineteenth. While often utilizing the destruction as a metaphor for other historical events or cultural phenomena, artists have chosen to depict either the acts of violence and havoc during the tragic event itself or create a more contemplative atmosphere that focuses on the feelings of loss, mourning, and displacement that came in its wake..."
„Uništenje Jerusalima i njegovog hrama ostalo je stalna kulturna, verska i teorijska preokupacija Jevreja i neJevreja. Duboko urezano u istorijsko pamćenje, razaranje je izazvalo širok spektar tumačenja, asocijacija i metaforičkih analogija. Kao takvo, ono je, naravno, zaokupilo maštu i interpretaciju širokog spektra umetnika - od Rembranta i Nikole Pusena u sedamnaestom veku, do Eduarda Bendemana (1811-1889), nemačkog umetnika jevrejskog porekla i Vilhelma fon Kaulbaha u 19. veku. Iako često koriste destrukciju kao metaforu za druge istorijske događaje ili kulturne fenomene, umetnici su izabrali da prikažu ili akte nasilja i pustošenja tokom samog tragičnog događaja ili da stvore kontemplativniju atmosferu koja se fokusira na osećaj gubitka, tugovanje i raseljavanje koje je došlo za njim..."
Keywords:
Jerusalim - uništenje - umetnost / Jerusalem - destruction - artSource:
Biuletyn Historii Sztuki [Bulletin of Art History], 2014, 76, 1, 83-112Publisher:
- Warszawa : Instytut Sztuki Polskiej Akademii Nauk
Note:
- This article was supported by The Israel Science Foundation (ISF), grant no. 161/11. An earlier version of the article was presented at the international conference “Traditions and Perspectives in History of Jewish Art”, held at Bar-Ilan University, Ramat Gan, Israel, September 10-12, 2012.
Collections
TY - JOUR AU - Rajner, Mirjam AU - Cohen, Richard I. PY - 2014 UR - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2693 AB - "The destruction of Jerusalem and its Temple has remained a constant cultural, religious, and theoretical preoccupation of Jews and non-Jews. Deeply enshrined in historical memory, the destruction has occasioned a wide range of interpretations, associations, and metaphoric analogies. As such, it has, of course, also captured the imagination and interpretation of a wide range of artists - from Rembrandt and Nicolas Poussin in the seventeenth century, to Eduard Bendemann (1811-1889), the German artist of Jewish origin and Wilhelm von Kaulbach in the nineteenth. While often utilizing the destruction as a metaphor for other historical events or cultural phenomena, artists have chosen to depict either the acts of violence and havoc during the tragic event itself or create a more contemplative atmosphere that focuses on the feelings of loss, mourning, and displacement that came in its wake..." AB - „Uništenje Jerusalima i njegovog hrama ostalo je stalna kulturna, verska i teorijska preokupacija Jevreja i neJevreja. Duboko urezano u istorijsko pamćenje, razaranje je izazvalo širok spektar tumačenja, asocijacija i metaforičkih analogija. Kao takvo, ono je, naravno, zaokupilo maštu i interpretaciju širokog spektra umetnika - od Rembranta i Nikole Pusena u sedamnaestom veku, do Eduarda Bendemana (1811-1889), nemačkog umetnika jevrejskog porekla i Vilhelma fon Kaulbaha u 19. veku. Iako često koriste destrukciju kao metaforu za druge istorijske događaje ili kulturne fenomene, umetnici su izabrali da prikažu ili akte nasilja i pustošenja tokom samog tragičnog događaja ili da stvore kontemplativniju atmosferu koja se fokusira na osećaj gubitka, tugovanje i raseljavanje koje je došlo za njim..." PB - Warszawa : Instytut Sztuki Polskiej Akademii Nauk T2 - Biuletyn Historii Sztuki [Bulletin of Art History] T1 - Wandalin Strzalecki's „Song on the destruction of Jerusalem". A homage to Maurycy Gottlieb and Poland T1 - „Pesma o razaranju Jerusalima“ Vandalina Strzaleckog. Omaž Mauriciju Gotlibu i Poljskoj SP - 83 EP - 112 IS - 1 VL - 76 UR - https://hdl.handle.net/21.15107/rcub_jdb_2693 ER -
@article{ author = "Rajner, Mirjam and Cohen, Richard I.", year = "2014", abstract = ""The destruction of Jerusalem and its Temple has remained a constant cultural, religious, and theoretical preoccupation of Jews and non-Jews. Deeply enshrined in historical memory, the destruction has occasioned a wide range of interpretations, associations, and metaphoric analogies. As such, it has, of course, also captured the imagination and interpretation of a wide range of artists - from Rembrandt and Nicolas Poussin in the seventeenth century, to Eduard Bendemann (1811-1889), the German artist of Jewish origin and Wilhelm von Kaulbach in the nineteenth. While often utilizing the destruction as a metaphor for other historical events or cultural phenomena, artists have chosen to depict either the acts of violence and havoc during the tragic event itself or create a more contemplative atmosphere that focuses on the feelings of loss, mourning, and displacement that came in its wake...", „Uništenje Jerusalima i njegovog hrama ostalo je stalna kulturna, verska i teorijska preokupacija Jevreja i neJevreja. Duboko urezano u istorijsko pamćenje, razaranje je izazvalo širok spektar tumačenja, asocijacija i metaforičkih analogija. Kao takvo, ono je, naravno, zaokupilo maštu i interpretaciju širokog spektra umetnika - od Rembranta i Nikole Pusena u sedamnaestom veku, do Eduarda Bendemana (1811-1889), nemačkog umetnika jevrejskog porekla i Vilhelma fon Kaulbaha u 19. veku. Iako često koriste destrukciju kao metaforu za druge istorijske događaje ili kulturne fenomene, umetnici su izabrali da prikažu ili akte nasilja i pustošenja tokom samog tragičnog događaja ili da stvore kontemplativniju atmosferu koja se fokusira na osećaj gubitka, tugovanje i raseljavanje koje je došlo za njim..."", publisher = "Warszawa : Instytut Sztuki Polskiej Akademii Nauk", journal = "Biuletyn Historii Sztuki [Bulletin of Art History]", title = "Wandalin Strzalecki's „Song on the destruction of Jerusalem". A homage to Maurycy Gottlieb and Poland, „Pesma o razaranju Jerusalima“ Vandalina Strzaleckog. Omaž Mauriciju Gotlibu i Poljskoj ", pages = "83-112", number = "1", volume = "76", url = "https://hdl.handle.net/21.15107/rcub_jdb_2693" }
Rajner, M.,& Cohen, R. I.. (2014). Wandalin Strzalecki's „Song on the destruction of Jerusalem". A homage to Maurycy Gottlieb and Poland. in Biuletyn Historii Sztuki [Bulletin of Art History] Warszawa : Instytut Sztuki Polskiej Akademii Nauk., 76(1), 83-112. https://hdl.handle.net/21.15107/rcub_jdb_2693
Rajner M, Cohen RI. Wandalin Strzalecki's „Song on the destruction of Jerusalem". A homage to Maurycy Gottlieb and Poland. in Biuletyn Historii Sztuki [Bulletin of Art History]. 2014;76(1):83-112. https://hdl.handle.net/21.15107/rcub_jdb_2693 .
Rajner, Mirjam, Cohen, Richard I., "Wandalin Strzalecki's „Song on the destruction of Jerusalem". A homage to Maurycy Gottlieb and Poland" in Biuletyn Historii Sztuki [Bulletin of Art History], 76, no. 1 (2014):83-112, https://hdl.handle.net/21.15107/rcub_jdb_2693 .