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Invoking Samuel Hirszenberg’s artistic legacy - encountering "Exile"
Pozivanje na umetničko nasleđe Samuela Hiršenberga - susret sa „Izgnanstvom“
dc.creator | Cohen, Richard I. | |
dc.creator | Rajner, Mirjam | |
dc.date.accessioned | 2024-02-21T13:54:55Z | |
dc.date.available | 2024-02-21T13:54:55Z | |
dc.date.issued | 2015 | |
dc.identifier.issn | 1871-7993 | |
dc.identifier.uri | https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2689 | |
dc.description.abstract | Samuel Hirszenberg (1865-1908), the Łódź-born artist, created several signature works of art that would emerge as emblematic of the Jewish historical experience of the twentieth century. "Exile" (1904) is one of these works that came to evoke the trials and tribulations of Jewish fate in the decades following its creation. After placing "Exile" in the context of Hirszenberg’s oeuvre, this essay charts its cultural and artistic reception over close to a century in diverse media. "Exile" evoked instinctive, negative responses alongside a deep sense of identification and appropriation. The essay illuminates how a seminal work of art can engender intense interaction over decades, allowing a wide range of interpretations, references, and quotations. | sr |
dc.description.abstract | Samuel Hiršenberg (1865-1908), umetnik rođen u Lođu, stvorio je nekoliko prepoznatljivih umetničkih dela koja će se pojaviti kao simbol jevrejskog istorijskog iskustva dvadesetog veka. „Izgnanstvo“ (1904) je jedno od ovih dela koje je dočaralo iskušenja i nevolje jevrejske sudbine u decenijama nakon njegovog nastanka. Nakon što je „Egzil“ stavio u kontekst Hiršenbergovog opusa, ovaj esej prikazuje njegovu kulturnu i umetničku recepciju tokom skoro jednog veka u različitim medijima. „Izgnanstvo“ je izazvalo instinktivne, negativne odgovore uz dubok osećaj identifikacije i prisvajanja. Esej osvetljava kako osnovno umetničko delo može izazvati intenzivnu interakciju tokom decenija, omogućavajući širok spektar tumačenja, referenci i citata. | sr |
dc.language.iso | en | sr |
dc.publisher | Leiden : Koninklijke Brill NV | sr |
dc.rights | openAccess | sr |
dc.source | Images | sr |
dc.subject | "Exile", art painting by Samuel Hirszenberg - essay | sr |
dc.subject | „Izgnanstvo“, umetnička slika Samuela Hiršenberga - esej | sr |
dc.subject | Hiršenberg, Samuel (1865-1908), umetnik | sr |
dc.subject | Hirszenberg, Samuel (1865-1908), artist | sr |
dc.title | Invoking Samuel Hirszenberg’s artistic legacy - encountering "Exile" | sr |
dc.title | Pozivanje na umetničko nasleđe Samuela Hiršenberga - susret sa „Izgnanstvom“ | sr |
dc.type | article | sr |
dc.rights.license | ARR | sr |
dc.rights.holder | © Koninklijke Brill NV, Leiden, 2015 | sr |
dc.identifier.doi | 10.1163/18718000-12340035 | |
dc.identifier.fulltext | http://jevrejskadigitalnabiblioteka.rs/bitstream/id/8593/InvokingSamuelOCR.pdf | |
dc.type.version | publishedVersion | sr |
dc.citation.spage | 46 | |
dc.citation.epage | 65 | |
dc.citation.issue | 1 | |
dc.citation.volume | 8 | |
dc.description.other | This article was supported by the Israel Science Foundation (ISF), grant no. 161/11. an earlier version of the article was presented at the international conference “Memory and Journey. Dimensions of Israeli and Jewish art,” which convened in Dusseldorf in July 2013. | sr |